a) The flux (inception towards death) of matter (life) implies internal separation...not external connection.
b) Trans (transfer across) scend (to climb) al (all) aka one within all climbing (life) while being moved across (inception towards death).
c) Angel/angle/ang -"to bend" aka bending/bhendh - "to bind"...
Linear pro (inception towards death) gress (life) sets each one free from one another, few bind many together using angles (square) and circles (compass) aka norms and logic.
d) Ever implies all; more or less implies each one within measuring each other, while ignoring all. The suggested word "evermore" implies a synthesis of "ever" + "more", which distracts those consenting to it from analysis.
Sleight of hand for those with eyes to see...Edgar Allen Poe's 'The Raven" aka NEVERMORE.
e) Turn your graphic to the right and view it as continuous motion, within which temporal matter is artificially put together, while naturally being set apart from one another.
Notice that the "formless non-object" is depicted as particulars before assembly...what set those particulars apart from one another for assembly?
https://substack.com/@eridanus/note/c-132893195
a) The flux (inception towards death) of matter (life) implies internal separation...not external connection.
b) Trans (transfer across) scend (to climb) al (all) aka one within all climbing (life) while being moved across (inception towards death).
c) Angel/angle/ang -"to bend" aka bending/bhendh - "to bind"...
Linear pro (inception towards death) gress (life) sets each one free from one another, few bind many together using angles (square) and circles (compass) aka norms and logic.
d) Ever implies all; more or less implies each one within measuring each other, while ignoring all. The suggested word "evermore" implies a synthesis of "ever" + "more", which distracts those consenting to it from analysis.
Sleight of hand for those with eyes to see...Edgar Allen Poe's 'The Raven" aka NEVERMORE.
e) Turn your graphic to the right and view it as continuous motion, within which temporal matter is artificially put together, while naturally being set apart from one another.
Notice that the "formless non-object" is depicted as particulars before assembly...what set those particulars apart from one another for assembly?