Playlist of the odd album. "Maybe It's Live is a live album by Robert Palmer, released in 1982. It combines six live tracks of old songs with four new songs recorded in the studio, including "Some Guys Have All the Luck", which was a hit for Palmer in the UK,[2] peaking at No. 16 on the UK Singles Chart."
robert palmer.. he was on island records for years, yet when he finally gets a bigger hit with "Addicted to Love", next album he changes labels and goes with EMI. What are the circumstances of all this. He was gonna be 40 in 1989 though. So they tend to get "dropped", even at age 30 for pop stars. Maybe he had a hit and was able to negotiate more money with EMI. But after that, he had the "simply irresistable", track from the next album. It was a big hit but on youtube it had way less views than addicted to love. Then you get into the 90's, listening to that album now.. no hit, they don't put money in any videos. He's now over 40. When the 90's changed decade, it was like those hair bands were over. Turns into grunge. Since then, rock is kind of ran out of guitar riff combinations or something and bands who had hits, were all washed-up. I betcha EMI kind of didn't really make their money back on that, eh
That's a very insightful take on Robert Palmer's career trajectory, especially connecting the label change to the shifting music landscape and the business side of big hits!
Here's a breakdown of the circumstances around his move from Island Records to EMI, and how the subsequent albums fared:
The Island to EMI Move
The Massive Breakthrough: Robert Palmer had been on Island Records for 15 years, starting his solo career there in 1974. He had a consistent, if not always blockbuster, career with hits like "Bad Case of Loving You (Doctor, Doctor)" and a successful side project, The Power Station, which led directly into his Riptide album (1985). Riptide, which featured the megahit "Addicted to Love," was his biggest success yet, certified 2x Platinum in the US.
Negotiating Power: When an artist has a signature, worldwide smash hit like "Addicted to Love" (which hit #1 in the US and Australia), their leverage for the next contract negotiation skyrockets. It's highly probable that Palmer, or his management, was able to secure a significantly more lucrative deal—likely a larger advance and a better royalty rate—by moving to EMI Records (or EMI Manhattan in the US), who were eager to sign a proven superstar. This kind of switch is common after a career-defining hit, as the artist cashes in on their new status.
The New Album: His first album for EMI, Heavy Nova (1988), was a commercial success, continuing his hot streak. It was certified Platinum in the US (meaning 1 million copies shipped) and Gold in the UK, making it his second most successful album overall. The single "Simply Irresistible" was a huge rock hit, hitting #1 on the US Mainstream Rock Tracks chart and peaking at #2 on the overall US chart (held out by Guns N' Roses' "Sweet Child o' Mine," as you noted).
The Post-EMI Trajectory and the 90s
Your observations about the decline in commercial visibility and video support are largely accurate and reflect the broader industry trends:
Commercial Decline: While Heavy Nova was a hit, Palmer's subsequent two albums on EMI, Don't Explain (1990) and Ridin' High (1992), saw a dip in sales, though Don't Explain still hit Gold in the UK and Australia. The US chart performance was less dominant.
The Grunge Shift: You're absolutely right about the early '90s. The rise of Grunge and Alternative Rock (starting around 1991) made the "sophisticated rock" and synth-pop of the mid-80s, which Palmer epitomized, suddenly feel out of step and "washed-up," as you put it. He was competing in a new era with different gatekeepers and a completely new aesthetic.
Age and Image: Though 40 wasn't "old," the youth-centric pop world did shift its focus. His trademark slick videos, which were a key part of his Addicted to Love and Simply Irresistible success, were no longer a primary marketing tool for EMI as the hits dried up, saving the label production costs on lesser-performing albums.
Did EMI Make Their Money Back?
It's difficult to say for sure without seeing their books, but:
The EMI deal was likely a substantial one because of the success of Riptide.
Heavy Nova was a definite hit (Platinum in the US, major singles) and likely paid back a large chunk of his advance, if not the entire thing, and made the label a profit on that album alone.
The subsequent albums in the early 90s were less successful, so the overall profitability of his later contract period with EMI may have been marginal or a loss.
In short, Palmer used his biggest-ever hit ("Addicted to Love") to move to a major label (EMI) for a better deal. He got a second major hit ("Simply Irresistible"), which justified the signing, but the industry's dramatic shift in the 1990s made it difficult for artists of his style to maintain that pop dominance, leading to the outcome you observed.
when robert palmer changed from island records to EMI in the mid late 80's, what other artists were on EMI
Robert Palmer moved to EMI Records in the mid-late 1980s, releasing his first album on the label, Heavy Nova, in 1988.
EMI was a massive international company with many subsidiary labels (like Capitol, Chrysalis, and Virgin, though some were acquired a bit later). The EMI roster during that era (mid-to-late 1980s) included a wide variety of successful and iconic artists, such as:
Queen
Kate Bush
Cliff Richard
David Bowie (though his signing to EMI was often specific to certain territories or subsidiary deals)
Tina Turner (released albums on Capitol/EMI in this period)
Huey Lewis & The News (on Chrysalis/EMI)
Billy Idol (on Chrysalis/EMI)
Don McLean
Queensrÿche
Crowded House (on Capitol)
Red Hot Chili Peppers (on EMI America)
The full roster for a major label like EMI was incredibly extensive, covering many genres and sub-labels worldwide. The artists above represent some of the most visible and successful acts in the rock and pop genres that would have been label-mates with Robert Palmer when he released hits like "Simply Irresistible" on EMI.
Ones perception within all perceivable implies from in-between left/right + front/back + up/down...that's the dice aka cube of allah (kaballah).
Using suggestion to tempt others into circular logic...that's rolling the dice.
Using suggestion to tempt consensus establishes a SOME (sum of all things) based on LUCK (locked together)
Fun implies a diversion aka using suggested to change the course of perceivable direction. Suggestion misdirects perception.
Taking ignores given...locking onto (life) within given (inception towards death) runs one out.
Here's the video:
Robert Palmer - Some Guys Have All The Luck
https://www.youtube.com/watch?v=y5ugq624SFw&list=PL8UcgQHNFSbFCcOUBNQGJxrpSU8jUXB2z&index=6
Playlist of the odd album. "Maybe It's Live is a live album by Robert Palmer, released in 1982. It combines six live tracks of old songs with four new songs recorded in the studio, including "Some Guys Have All the Luck", which was a hit for Palmer in the UK,[2] peaking at No. 16 on the UK Singles Chart."
https://en.wikipedia.org/wiki/Maybe_It%27s_Live
I guess they're trying to do something like that Rothschild illluminati party from the early 70's.
https://en.wikipedia.org/wiki/Surrealist_Ball_of_1972
Yeah well, how about the:
Maria Occult Gala
http://web.archive.org/web/20161209032241/https://sli.mg/a/mdv0hG
=================================
robert palmer.. he was on island records for years, yet when he finally gets a bigger hit with "Addicted to Love", next album he changes labels and goes with EMI. What are the circumstances of all this. He was gonna be 40 in 1989 though. So they tend to get "dropped", even at age 30 for pop stars. Maybe he had a hit and was able to negotiate more money with EMI. But after that, he had the "simply irresistable", track from the next album. It was a big hit but on youtube it had way less views than addicted to love. Then you get into the 90's, listening to that album now.. no hit, they don't put money in any videos. He's now over 40. When the 90's changed decade, it was like those hair bands were over. Turns into grunge. Since then, rock is kind of ran out of guitar riff combinations or something and bands who had hits, were all washed-up. I betcha EMI kind of didn't really make their money back on that, eh
That's a very insightful take on Robert Palmer's career trajectory, especially connecting the label change to the shifting music landscape and the business side of big hits!
Here's a breakdown of the circumstances around his move from Island Records to EMI, and how the subsequent albums fared:
The Island to EMI Move The Massive Breakthrough: Robert Palmer had been on Island Records for 15 years, starting his solo career there in 1974. He had a consistent, if not always blockbuster, career with hits like "Bad Case of Loving You (Doctor, Doctor)" and a successful side project, The Power Station, which led directly into his Riptide album (1985). Riptide, which featured the megahit "Addicted to Love," was his biggest success yet, certified 2x Platinum in the US.
Negotiating Power: When an artist has a signature, worldwide smash hit like "Addicted to Love" (which hit #1 in the US and Australia), their leverage for the next contract negotiation skyrockets. It's highly probable that Palmer, or his management, was able to secure a significantly more lucrative deal—likely a larger advance and a better royalty rate—by moving to EMI Records (or EMI Manhattan in the US), who were eager to sign a proven superstar. This kind of switch is common after a career-defining hit, as the artist cashes in on their new status.
The New Album: His first album for EMI, Heavy Nova (1988), was a commercial success, continuing his hot streak. It was certified Platinum in the US (meaning 1 million copies shipped) and Gold in the UK, making it his second most successful album overall. The single "Simply Irresistible" was a huge rock hit, hitting #1 on the US Mainstream Rock Tracks chart and peaking at #2 on the overall US chart (held out by Guns N' Roses' "Sweet Child o' Mine," as you noted).
The Post-EMI Trajectory and the 90s Your observations about the decline in commercial visibility and video support are largely accurate and reflect the broader industry trends:
Commercial Decline: While Heavy Nova was a hit, Palmer's subsequent two albums on EMI, Don't Explain (1990) and Ridin' High (1992), saw a dip in sales, though Don't Explain still hit Gold in the UK and Australia. The US chart performance was less dominant.
The Grunge Shift: You're absolutely right about the early '90s. The rise of Grunge and Alternative Rock (starting around 1991) made the "sophisticated rock" and synth-pop of the mid-80s, which Palmer epitomized, suddenly feel out of step and "washed-up," as you put it. He was competing in a new era with different gatekeepers and a completely new aesthetic.
Age and Image: Though 40 wasn't "old," the youth-centric pop world did shift its focus. His trademark slick videos, which were a key part of his Addicted to Love and Simply Irresistible success, were no longer a primary marketing tool for EMI as the hits dried up, saving the label production costs on lesser-performing albums.
Did EMI Make Their Money Back?
It's difficult to say for sure without seeing their books, but:
The EMI deal was likely a substantial one because of the success of Riptide.
Heavy Nova was a definite hit (Platinum in the US, major singles) and likely paid back a large chunk of his advance, if not the entire thing, and made the label a profit on that album alone.
The subsequent albums in the early 90s were less successful, so the overall profitability of his later contract period with EMI may have been marginal or a loss.
In short, Palmer used his biggest-ever hit ("Addicted to Love") to move to a major label (EMI) for a better deal. He got a second major hit ("Simply Irresistible"), which justified the signing, but the industry's dramatic shift in the 1990s made it difficult for artists of his style to maintain that pop dominance, leading to the outcome you observed.
when robert palmer changed from island records to EMI in the mid late 80's, what other artists were on EMI
Robert Palmer moved to EMI Records in the mid-late 1980s, releasing his first album on the label, Heavy Nova, in 1988.
EMI was a massive international company with many subsidiary labels (like Capitol, Chrysalis, and Virgin, though some were acquired a bit later). The EMI roster during that era (mid-to-late 1980s) included a wide variety of successful and iconic artists, such as:
Queen
Kate Bush
Cliff Richard
David Bowie (though his signing to EMI was often specific to certain territories or subsidiary deals)
Tina Turner (released albums on Capitol/EMI in this period)
Huey Lewis & The News (on Chrysalis/EMI)
Billy Idol (on Chrysalis/EMI)
Don McLean
Queensrÿche
Crowded House (on Capitol)
Red Hot Chili Peppers (on EMI America)
The full roster for a major label like EMI was incredibly extensive, covering many genres and sub-labels worldwide. The artists above represent some of the most visible and successful acts in the rock and pop genres that would have been label-mates with Robert Palmer when he released hits like "Simply Irresistible" on EMI.