What is a theme? Themes are not morals, morals are not messages. These are all different and unique tools. Namely, a theme is a frame work and touch stone for the author that should remain unseen to the viewer. Themes should never take center stage away from the story.
(media.conspiracies.win)
Discussion
Phone-tards Discussion:
https://communities.win/c/KotakuInAction2/p/19AdX9xxvW/what-is-a-theme-themes-are-not-m/c
A thesis tempting those who consent to it into establishing the anti-thesis, thereby dis-solving each other in conflict.
a) Each side within suggested moralism (good or bad) implies a theme/thesis/proposition for ones consent.
b) Not implies ones consent to the anti-theses (no) of a thesis (yes) within suggested conformism.
Morals implies ones consenting response to a suggested message in themes (thesis and anti-thesis). As in...if another suggests whats moral, then ones consents establishes everything else as immoral.
Those who consent to morals are mutually fighting each other within a conflict of reason (moral vs immoral), while ignoring the messenger of suggested moralism.
a) Only each ones free will of choice implies a unique tool; differentiated from one another, hence FREE.
Themes; morals and messages are suggested by the free will of choice of another, which tempts ones free will of choice to willingly submit self by consent.
b) All cannot be different. All (whole) differentiates (partials) internally by separating each part from one another, hence setting FREE.
a) Names imply a frame within the work of sound.
b) Work (all perceivable) authorizes viewer (ones perception)...suggested frames distract viewers from work.
c) All gives each one sight...few suggest many to look/lock, which in return makes most of perception "unseen", hence ignored.
Viewers GIVE consent to suggested themes...which was never theirs to give, since only nature gives (inception) and takes (death) being (life).
Choice implies center. A suggested stage (horizontal division) tempts one to ignore that horizontal (inception towards death) divides into vertical (life).
A stage tempts many viewers to centralize consent towards few suggesting stagers aka producers; directors; writers; actors etc. That implies mass inclination from natural center towards an artificial center.