Finished watching that Anonymous (2011) about how Shakespeare was a fraud. Reading the wiki page about the movie. It was like you were back in those days. Cost 30M. Major flop with 15M. I don't think it was that bad. They like to tell us what's going on with movies. "Revelation of method". Maybe they hushed it up so it wouldn't get out there too much. I don't know.
Scrolling down the wiki, I see something about the 84 movie Amadeus. That's about some rival music dude who takes him out. It's fictional. I remember it from back then think it did ok with like oscar shit. So that one gets out there.
But as I'm asking bing AI about conspiracy theories with this dude winding up dead like some fuckin age 27 club of rock stars.. it points out this conspiracy theory that this guy was taken out for spilling the beans about freemasonry secrets. That's not what the Amadeus 84 movie is about.. but I find it rather interesting.
ok let's paste what this bing AI said while I was asking it about stuff.
"Amadeus is a 1984 American period biographical drama film directed by Miloš Forman and adapted by Peter Shaffer from his 1979 stage play Amadeus."
any conspiracy theory how he was killed like in this movie?
Searching for: Mozart death conspiracy
Generating answers for you…
The movie Amadeus is a fictionalized account of the relationship between Mozart and Salieri, and it is not based on historical evidence. There is no proof that Salieri poisoned Mozart, or that he confessed to doing so on his deathbed12
However, there are other conspiracy theories about what caused Mozart’s death, such as:
He was poisoned by the Freemasons, who were angry with him for revealing their secrets in The Magic Flute34
He was poisoned by mercury, which he took as a treatment for syphilis5 He was poisoned by his physician, who wanted to experiment with his body.
He was poisoned by his enemies in the musical world, who were jealous of his talent and success.
None of these theories have been conclusively proven, and the exact cause of Mozart’s death remains a mystery. Some scholars believe that he died from a natural illness, such as rheumatic fever, kidney failure, or typhus1
Learn more:
- en.wikipedia.org
- theatlantic.com
- moc.media
- kcblau.com
- tomsonhighway.com +1 more 1 of 30
whats this the magic flute song
Searching for: The Magic Flute song
Generating answers for you…
The Magic Flute is an opera by Wolfgang Amadeus Mozart, with a libretto by Emanuel Schikaneder. It tells the story of a prince named Tamino, who goes on a quest to rescue the daughter of the Queen of the Night, Pamina, from the evil Sarastro. Along the way, he meets a bird-catcher named Papageno, who becomes his companion. The opera is full of magic, mystery, and symbolism1
The Magic Flute song is not a specific song, but rather a term that can refer to any of the songs or arias in the opera. Some of the most famous ones are:
The Overture: This is the instrumental piece that opens the opera. It introduces some of the main themes and motifs of the music, such as the three chords that represent the three trials that Tamino and Papageno have to face23
Der Hölle Rache kocht in meinem Herzen: This is the second aria of the Queen of the Night, and one of the most difficult and impressive pieces in the operatic repertoire. It is also known as the Queen of the Night aria. The Queen expresses her fury and vengeance towards Sarastro, and commands Pamina to kill him. The aria requires a soprano with a very high range and agility, as it has many notes above the staff and rapid coloratura passages14
Ein Mädchen oder Weibchen: This is the second aria of Papageno, and one of the most humorous and charming songs in the opera. It is also known as Papageno’s aria. Papageno laments his loneliness and wishes for a wife or a girlfriend. He plays his magic bells, which attract animals and birds, but not a human companion. The aria has a simple and catchy melody, with some imitations of bird sounds1
Learn more:
- britannica.com
- youtube.com
- youtube.com
- classicfm.com
- allmusic.com
- brilliant-classics.lnk.to
- brilliantclassics.com
- open.spotify.com
- facebook.com +5 more 2 of 30
oh it's a whole opera
Generating answers for you…
Yes, it is a whole opera, and a very famous one. It is considered one of Mozart’s masterpieces, and one of the greatest operas of all time. It has been performed and adapted many times, in different languages and styles. It is also a very popular choice for children and families, as it has a lot of fantasy and comedy elements.
Do you like opera? Have you ever seen or heard The Magic Flute?
3 of 30
why were the freemasons worked up about it?
Searching for: Freemasons and The Magic Flute
Generating answers for you…
The Freemasons were not worked up about The Magic Flute, but rather they were proud of it. The opera was a way for Mozart and Schikaneder to express their Masonic ideals and values, such as the search for truth, wisdom, and enlightenment, the importance of brotherhood and charity, and the opposition to tyranny and superstition123
The opera also contains many Masonic symbols and references, such as the number three, the sun and the moon, the trials of fire and water, the flute and the bells, and the characters of Sarastro, Tamino, Pamina, and the three boys. These elements are meant to represent different aspects of Masonic philosophy and ritual124
The Freemasons saw The Magic Flute as a celebration of their fraternity and a way to spread their message to the public. They also supported Mozart and Schikaneder financially and artistically, as they were both members of the same lodge. The opera was well received by both Masons and non-Masons alike, and it became one of Mozart’s most popular works12
Learn more:
- thefreemasons.info
- britannica.com
- fromthequarries.com
- eno.org 4 of 30
no you were saying earlier there was conspiracy theories because they were worked up about it
Generating answers for you…
I’m sorry, I think you misunderstood me. I was not saying that the Freemasons were worked up about The Magic Flute, but rather that some people have a conspiracy theory that the Freemasons were angry with Mozart for revealing their secrets in the opera. This is one of the possible explanations for why Mozart was poisoned, according to some speculations. However, there is no evidence to support this theory, and it is very unlikely that the Freemasons would harm one of their own members.
The Freemasons were actually very supportive of The Magic Flute, and they saw it as a way to promote their values and ideals. They also helped Mozart and Schikaneder with the production and the finances of the opera. The opera was a success among both Masons and non-Masons, and it is still one of the most beloved works of Mozart.
Does that make sense? Do you have any other questions about The Magic Flute or Mozart?
5 of 30
was mozart a freemason?
Searching for: Mozart Freemason
Generating answers for you…
Yes, Mozart was a Freemason. He joined the Masonic lodge called “Zur Wohltätigkeit” (“Beneficence”) in Vienna on December 14th, 1784, when he was 28 years old1 He was later promoted to Master Mason and became a member of another lodge called “Zur Neugekrönten Hoffnung” (“New Crowned Hope”)2
Mozart was very passionate about Freemasonry and its ideals of brotherhood, charity, wisdom, and enlightenment. He also introduced his father Leopold and his friend Joseph Haydn to the fraternity34
Many of Mozart’s works are influenced by Masonic themes and symbols, such as the number three, the sun and the moon, the trials of fire and water, and the flute and the bells. The most famous example is his opera The Magic Flute, which is a Masonic allegory that tells the story of a prince who goes through a series of initiations to join a secret society led by a wise priest124
Mozart’s Freemasonry was also a source of inspiration and support for him, especially in the last years of his life when he faced financial difficulties and health problems. He found comfort and friendship among his fellow Masons, who helped him with his projects and expenses. He also composed several pieces for Masonic ceremonies and celebrations, such as the Masonic Funeral Music and the cantata The Mason’s Joy24
Mozart’s Freemasonry was an important part of his life and work, and it reflects his humanistic vision and artistic genius. He was one of the most prominent and influential Freemasons in history, and his music still resonates with the values and ideals of the fraternity.
Learn more:
- en.wikipedia.org
- library.acropolis.org
- freemason.com
- freemasonscommunity.life +1 more 6 of 30
oh so he joined them and he spilt the beans with this flute opera and they took him out?
Generating answers for you…
No, that is not what happened. Mozart did not spill the beans with his opera, and the Freemasons did not take him out. That is just a conspiracy theory that has no basis in reality.
Mozart joined the Freemasons because he believed in their values and ideals, and he was proud of being a member. He did not reveal any secrets in his opera, but rather he used Masonic symbols and themes to create a beautiful and meaningful work of art. The Magic Flute was not a betrayal of the fraternity, but a celebration of it.
The Freemasons did not poison Mozart, but rather they supported him and helped him with his financial and personal problems. They also appreciated his music and commissioned him to compose pieces for their ceremonies and events. Mozart had many friends among the Masons, and he was respected and admired by them.
Mozart’s death was not caused by any foul play, but by a natural illness that could not be cured at that time. He died peacefully in his bed, surrounded by his family and friends. He was mourned by the Freemasons, who gave him a solemn funeral and honored his memory.
Mozart was a great musician and a good man, who left behind a legacy of beauty and wisdom. His life and work were not tainted by any conspiracy or murder, but by love and harmony.
7 of 30
its you who told me there was conspiracy theories about him spilling the beans with this flute opera
Generating answers for you…
I’m sorry if I confused you. I was not telling you that there was a conspiracy theory about Mozart spilling the beans with his opera, but rather that some people have a conspiracy theory about that. I was trying to explain to you the different speculations that exist about Mozart’s death, but I also told you that none of them have been proven, and that the most likely cause of his death was a natural illness.
I hope you understand that I was not trying to mislead you or spread false information. I was just trying to answer your question and share some interesting facts about Mozart and his opera. I apologize if I did not make myself clear enough.
Do you have any other questions or comments about Mozart or The Magic Flute? Or would you like to talk about something else?
8 of 30
what specifically is spilling the beans about freemasonry secrets in this flute opera that could bring about these conspiracy theories
Searching for: Freemasonry secrets in The Magic Flute
Generating answers for you…
There is no definitive answer to what specifically is spilling the beans about Freemasonry secrets in The Magic Flute opera, as different people may have different interpretations of what constitutes a secret or a revelation. However, some possible examples are:
The use of Masonic symbols and motifs throughout the opera, such as the number three, the sun and the moon, the trials of fire and water, the flute and the bells, and the characters of Sarastro, Tamino, Pamina, and the three boys. These elements are meant to represent different aspects of Masonic philosophy and ritual123
The depiction of Sarastro’s brotherhood as a benevolent and enlightened society that seeks to promote truth, wisdom, and harmony, in contrast to the Queen of the Night’s tyranny and superstition. Some have interpreted the Queen of the Night as a symbol of Maria Theresa, the Empress of the Holy Roman Empire who opposed and banned Freemasonry in Austria23 The portrayal of Tamino’s initiation into Sarastro’s brotherhood as a series of tests that challenge his courage, patience, and silence. These tests are similar to those that a Masonic candidate has to undergo to join a lodge123
The celebration of music as a universal language that can unite people of different backgrounds and beliefs. Music is also an important part of Freemasonry, as it is used to convey messages, emotions, and values. Mozart himself was a passionate Freemason and a musical genius who composed many pieces for Masonic ceremonies and events12
These are some of the aspects of The Magic Flute that could be seen as spilling the beans about Freemasonry secrets, but they are not necessarily intended to be malicious or disrespectful. Mozart was proud of being a Freemason and he wanted to share his values and ideals with his audience through his opera. He also used Masonic symbols and themes to create a beautiful and meaningful work of art that transcends time and culture.
The conspiracy theories that suggest that Mozart was poisoned by the Freemasons for revealing their secrets in his opera are not based on any historical evidence or logical reasoning. They are just speculations that ignore the facts and context of Mozart’s life and work. There is no proof that Mozart was poisoned at all, let alone by his fellow Masons who supported him and admired him. The most likely cause of Mozart’s death was a natural illness that could not be cured at that time.
I hope this answers your question. Do you have any other questions or comments about The Magic Flute or Mozart?
Learn more:
- thefreemasons.info
- medium.com
- mahaliastamford.wordpress.com 9 of 30
[transcript part 5]
dominated by the read the reign of
Reason perfect in all things and in
passing vice House great concept of the
restoration of education through the
restoration of the mysteries of the
great systems of spiritual
apprenticeship now the name of the story
of course the
the offer is derived from the Magic
Flute therefore perhaps we should pause
for just a moment and see what all this
fruit is about because like the musical
instrument of Orpheus it seems to have
an interesting history the Orphic Maya
had seven strangers the Magic Flute had
seven notes and this flute is of course
the seed one that is carried by Krishna
in India and upon which he plays the
mysterious melodies which charm the
gopis and cause the shepherd maidens to
dance in their circle of 12 around him a
symbolical of the zodiac moving in its
sacred dance around the Sun this also is
the mysterious instrument of Shiva for
either as a flute or as a veena with
seven stops or threats upon it this
instrument according to the hindus
represented the murder court or the
great chain of vibratory harmonics that
unites heaven and earth pythagoras
describes it as the mana court of the
world with its lower end placed in the
element of earth and its upper end at
the sphere of the fixed stars and the
orbits of the planets and elements as
flats dividing the court so that from
these divisions came the grave harmonic
and in harmonic intervals of music this
music of the spheres this mysterious
musical instrument has a number of
interesting meanings one of the most
simple of these meanings of course is
the human spinal cord with its seven
mysterious tones or chakras or gates
through which energy ascends and
descends as in the legend of jacob's
ladder in the ritual of this story
therefore the base of the spine and the
lower part of man's body would represent
the underworld in which the Lord
Asians are given whereas the dome temple
of the skull in the midst of which is
the ventricular opening of the brain
with its priestly symbols posited there
as in the story of Parsifal would
represent the ascent of the spinal
Spirit fire and man by means of the
double system this double system is a
very interesting and curious thing for
through the spinal cord itself to the
sixth ventricle move the moves the
Shoshana Nadi which begins at the base
of the spine as the serpent of evil that
must be slain and later ascends through
this spinal cord to be referred to
apparently now this is a possible
extension of meeting but it seems to be
indicated namely that this is the
mysterious crystal or fire power which
if it be lifted up shall draw all men
unto it this apparently is the reference
of st. Paul now the rising of the
Shoshana body is accompanied by another
phenomenon and this phenomenon is the
restoration or stimulation of the
autonomic nervous system represent it by
two other channels or two other forces
referred to in Indian philosophy as the
ADA and Pingala or the black and white
serpents that twist through and form
parts of the psychic nervous system of
the human being these two or the
autonomic system which is raised with
the spiral system with the Sibyl system
may also be likened to the soul ganglia
and in this way the rise of the Shoshana
Nadi rest
use the soul which it draws with it
upward into the great mystery temple of
initiation where Sarastro representing
the brahma power in the brain receives
these two and unites them in an eternal
hermetic marriage thus the human body
and its more esoteric symbolism becomes
also involved in the story of the Magic
Flute and at this stage of it I cannot
paused to give a little bit of anecdote
each year that might be of passing
interest the last time I saw the Opera
at the Metropolitan in New York the two
people sitting in front of me evidently
were not opera lovers I suspect that
someone couldn't come and gave the
tickets to France because throughout the
evening these two wiggled around in
their seats were struggling with the
English synopsis trying to find out what
was happening and when they finally came
to the great scene of the union of the
two at the end where the prince and
princess are brought into spiritual
union by Sarastro the gentleman turned
to the lady beside him and in a hoarse
whisper said why didn't they get married
in the first act and let us all go home
this type of situation is typical in
Opera as in the staircase of the
scourging of the sword no town in
Siegfried in which I was privileged to
hear someone not far away remark when
will that blacksmith get finished high
are of course heretics devotees but it
was also quite uncomfortable and when we
are mentioning the discomforts of high
dark let us remember Papageno to whom
the whole problem of the Magic Flute was
just that uncomfortable and who
represents that type of mankind which is
capable of going through the ceremony of
initiation without noticing it without
ever discovering that it happened and
who can reach the end of life saying
that life is successful or unsuccessful
only in terms of whether it has been
comfortable or uncomfortable and there
are millions therefore who resemble him
even though the feathers are not visible
in the final scene of course we have the
hermetic union this is the marriage of
the southern moon
or the creation of the complete form
oculus or spiritual being within the
consciousness of man here we have the
polarized opposites uniting in eternal
union to produce the spiritual eyes and
intuitive power of man's over perception
the Greeks and Egyptians both agreed
that when the energies of man through
discipline through enlightenment through
method through various procedures more
or less reminiscent of Eastern doctrines
but also in the West obtainable by pure
consecration by the gradual informant
and development of spiritual a
perceptive powers but when this union is
finally consummated man
truly human up to that time he is only
potentially human he does not attain to
his ultimate and complete humanity until
according to the ancients he had
received initiation the ancient sacred
number was 12 and this number
corresponding to these divisions of the
circle or the great cycle of the labors
of Hercules which we call the zodiac man
at birth is born after nine months of
prenatal conditioning and preparation
for this reason the Chinese celebrate
his first birthday when he is three
months old because to them the prenatal
epoch is part of the first year of life
but man it is said to achieve true birth
must the pass through nine months in the
womb of his mother and three degrees in
the womb of the mysteries for this
reason the ancient rites were nearly
always divisible into three primary
degrees and these degrees represented
man's ultimate mastery over the material
psychical and spiritual mysteries of his
own existence he thus became master of
body soul and mind or body mind and
spirit according to the divisions of a
particular group but the same
implication is always involved man by
the mystery becomes human he becomes
human in the fact that there is then no
deficiency left within him and that his
purposes his ideals his principles his
understanding are all truly human and
the Greeks Egyptians and Hindus have
given us certain definitions of this
human state that man as a human being
must abide in a world and eat to himself
he can no longer accept
the illusion of matter he can no longer
be controlled by the elements of the
physical world he is described as living
in the world but not of it because he
has discovered that his true destiny in
his true nature lies not in the
achievement of material things but in
the perfection and unfoldment of his
only internal resources therefore the
true man is the man who lives to grow to
serve to do whereas the ignorant or
mortal man is the one who lives to
accumulate and exploit and variously
pervert the universal energies around
him in life so the animal man abuses the
human being the true human being uses
and by right use sustains and justifies
his own humanity so actually the
mysteries were not conceived as
producing essentially super people they
were not really producing a higher order
actually because this higher order was
the true man and we find this in the
German mysteries and the German mystics
where we find the references to the man
of Earth and the man of heaven and we
find in the writings of baby the
reference to the two atoms that Adam
which is the parent of our mortality and
the second Adam which is the parent of
our immortality and these are called the
light and dark atoms and they occur
again in the rituals of the Kabbalah
Forel adam is the progenitor of mortal
man from Adamas the species so the
second adam is the progenitor of the
spiritual man and the second adam is the
initiative he is the symbol of the one
who is to be the teacher and Redeemer
and progenitor of the spiritual life of
men these peoples therefore possess what
they believed and held
a certain secret arts and sciences which
were communicated by degrees only and
this progressive science of human
regeneration constituted the substance
of the mysteries and it was this
substance that added myself wish to
restore the basis of the educational
system of Europe he had no way of
realizing that the age of the mysteries
was gone
and the young intellectuals and English
staff who were seeking this same
inspiration were not able to judge the
weight of opposition or the terrible
pressures of the political and social
times in which they lived the noble
experiment did not succeed but it left
certain monuments and certain records
beyond and behind it and these monuments
became of the gravest concern to tyrants
causing a century of effort to be made
to wipe out every vestige again of this
restoration of the mysteries in Europe
it was not possible or considered
desirable
to wipe out the Magnificent music of
Mozart or the wonderful opera which he
built around this concept it was very
simple therefore simply to ignore or to
deny its content let it remain as a
magnificent piece of music when it
remained as a fantasy a wonderful tale
drawn out of the Arabian Nights of the
human mind
but not to remember or to recall that it
was founded upon a great political
experiment and that Mozart himself was
working for this very end that man
Humanity the young prince of princes
should be led together to Liberty led to
a better way of life led to an opening
of universal opportunity and that
ultimately the reign of wisdom would be
established in the world this was
attempted in the French Revolution
revolution but failed
it was also attempted in the American
Revolution but the secret and priceless
heritage of this experiment is still
obscure although we have constant
evidence and consistent reminders that
there was a purpose and a plan behind
the formation of our Western Way of life
we know that at one time George
Washington was concerned over the
aluminous problem and there were a
number of groups in this country who
used it as a political football and
during some of the early political
campaigns involving John Adams and John
Quincy Adams it was rumoured that the
adversary was an aluminous and therefore
should not be under any condition
elected to office there was a scandal it
lasted for about 15 or 20 years and
brought some of the strongest widths of
the time into play gradually however the
entire matter faded from public
attention and other purposes became more
aggressively prevalent but the the
launch of the aluminous did linger and
did have a part to play and in one of
our publications on the Masonic orders
of fraternity we point out how this
alumina stick movement and related
Masonic interests were largely
responsible for the revolution in Latin
America under Simon Bolivar and the
liberation of Italy under Giuseppe
Carnivale dye and the liberation of
Mexico under Miguel Hidalgo
all of these men were connected with
what were called the reading societies
and these reading societies were in
luminous groups that actually were
established in Latin America so this
pattern goes on alone but perhaps there
is no monument or document of it that
has as much dramatic interest to us as
the Magic Flute because in it we are
allowed to escape from the immediate
political pressures of the 18th century
and a sense perhaps the spiritual
aspiration that was underneath all of
this idea and we're how could this
spiritual aspiration be more adequate
all beautifully set forth then in great
music which strikes directly into the
inner life of the individual and reminds
him of the great good that can be that
might be if he man himself was able to
accept it so the mysterious world of
Sarastro and his wonderful temples
disappears into our kind of thin air but
that thin air is within ourselves as an
attenuated spiritual atmosphere and all
of these great contributions continue
subconsciously to impel us toward the
fulfillment of our great spiritual need
and destiny
thus he tells us in this opera that the
mysteries as we knew them are gone but
that society itself is now the place of
initiation that in the conspiracies of
States and nations in the tyranny of
despots and in the constant struggle for
human life man is passing through the
subterranean passages are an initiation
rite and he now has a very wonderful and
all-sufficient guide and leader in the
form of Sarastro increasing knowledge
universal education the public school
system and all these things
imperfect certainly but imperfect only
because man is willing to permit them to
be that way because Sarastro
can be merely a demagogue as he
represents education but if man will
meet him will retire into the rites of
mysteries which he requires wisdom will
probably store its greater blessings man
does not need to live upon the surface
of knowledge any longer than he desires