Was up to this point in the Clock shavings, book.. just before chapter 8, page 97 it starts.
Henry Lincoln was one of the original Holy Blood, Holy Grail authors who helped bring the mystery of Rennes-le-Château to the attention of the English- speaking world in the late 1970s. He wrote two books on his own about what he claims is a perfectly mathematically symmetrical pentagram that can be found by connecting the tops of the five mountains which surround the village on a topographical map.
I had recently interviewed Mr. Lincoln for the magazine, and he had reiterated his theory that this was both 1) a highly unlikely occurrence, and 2) completely natural. He believed that, because this area was the location of a very rare, spontaneous manifestation of an ancient sacred symbol, Rennes-le-Château had become a place of reverence to members of secret societies who were aware of the formation's existence. In his mind, the pentacle of mountains constituted a "natural temple" to the divine, visible to those with eyes to see.
However, because for years I had been writing about the subject of giant super-human antediluvian god-kings in connection to Rennes-le-Château, and because those entities were rumored to exist now in an underground realm, I was considering a different possibility.
Throughout the annals of archeology, there are stories of ancient temples and even entire cities being unearthed from places where the only indication of something underground (often beneath layers of dirt, rock and overgrowth formed over thousands of years) is the presence of something that appears artificially symmetrical. I had just recently heard of someone in Bosnia discovering ancient pyramids within some of the mountains there.
Therefore I wondered: Is it possible that the mountains are really the mark of something artificially made? Could it be that someday, somebody will find underneath them a vast pentagonal temple complex made by giants to venerate some ancient god-king or queen? Is it possible that initiates in the Priory of Sion have known all along that the temple was there?
Might there even be hidden tunnels in Rennes-le-Château that allow access to the temple to this day? Could it be that the chosen few still perform ceremonies there? I had to know the answers, so I asked Baphomet.
In response, he affirmed that it was there, and also indicated that it was the site of a very important tomb from prediluvian times. When we asked who built the complex, he answered: "DAGON." This was the name of a Philistine god always depicted as half-humanoid from the waist up, with a fish tail from the waist down.
Dagon was adored by many ancient societies, as, according to legend, he had come from the sea to teach mankind the most important arts of civilization, just like the Anunnaki fish-gods of the Sumerians. I had written articles speculating that he was one of the god-kings related to Cain, connecting him with the Watchers and the Nephilim. I had also speculated that the name "Dagobert," used by several of the Merovingian kings, might hearken back to Dagon. Indeed, the
legend of the Merovingians said that they were descended from a union between a princess and a sea creature, which could have been an echo of a memory of Dagon as their literal ancestor.
Excited about the idea of an ancient underground temple being buried beneath Rennes-le- Château, we got out one of the maps of the area that I had purchased when I visited the village for the Fox TV interview. We took the glass door off of the entertainment center there in the living room, placed the map on the card table that we were using for the Ouija board, and covered it with the glass door to give the map a smooth surface. We then put the planchette on top of the glass and the map. I asked Baphomet to show us where the temple was.
What followed was a good 90-minute segment in which the spirit made the same spiral shape over and over again, always focusing it on the same spot right there at the altar of the church. He would start the spiral from the outside, work his way in, and then methodically spiral out again. He also used the planchette to mark out several important spots on the map, to which he assigned numbers. We had to move the planchette back and forth between the map and the Ouija board constantly so that he could number the locations. He instructed us to write it all down in a list.
At the end of this session, we were utterly exhausted. Our arms ached so much! We didn't analyze it until the next day, when Brian got out a protractor and a ruler. He measured the distance and the angles between the points, then plotted them on a graph. At first it seemed meaningless. Then I realized that it matched up with something I had seen before in a book about sacred geometry by Michael S. Schneider called The Beginner's Guide to Constructing the Universe.
This book was about different geometrical patterns that can be found both in nature and in artificial works. In the chapter about the pentagram, Schneider demonstrated how, as the leaves of a plant grow along the stem, they always conform to the shape of a pentagonal Fibonacci spiral. By forming this pattern with certain points on the map, each corresponding to particular (mostly man-made) landmarks in the area, Baphomet seemed to be telling us that the locals there had commemorated this pattern with the locations in which they chose to place certain buildings. Or, perhaps they had been guided subconsciously by a higher intelligence.
It was only a few weeks later that I discovered for the first time translations of the magazines C.I.R.C.U.I. T. and Vaincre, both published by Pierre Plantard of the Priory of Sion. Before this, I had only seen excerpts from these publications quoted in the books Holy Blood, Holy Grail and The Messianic Legacy by Baigent, et. al. In it, the authors wrote about an underground temple beneath Rennes-le-Château, accessible somehow via a tunnel near the Blanchefort tomb, which contains thirteen stone seats and a giant image of a sun. The spiral shape was not mentioned, but I wondered if that was the shape of the tunnels leading down to it, perhaps passing through all five mountains along the way. Maybe, I thought, there are even
chambers in these tunnels corresponding to the numbered spots marked by Baphomet on the map.
The revelation from the Priory's publication, and the close correspondence there with what Baphomet was telling us, convinced me more than ever that he was giving us real information. I was even more impressed when, a few days after that last séance, I received a letter out of the blue from Nicholas de Vere, whom I had not talked to in many months. In it he made two amazing requests: (1) That I accept ownership of the copyright for his book From Transylvania to Tunbridge Wells, and seek to have it published right away, and (2) That I accept, at least temporarily, the title of "Grand Master" of the Dragon Court. He would retain ultimate control by elevating himself to a different title: "Sovereign Head." But I would be the official leader of record.
All of this made no sense because, of course, I was barely involved in the Dragon Court or any of Nick's projects at all. Also, why would he want to give away the copyright to his own book, especially after Laurence Gardner had already stolen it from him? Wasn't he afraid that I would screw him over too?
Furthermore, for what reason did he suddenly want me of all people to run his Dragon operation, when I still had yet to prove or even claim any connection to Dragon blood? Why did he not want to run his own order anymore? But Baphomet had predicted it.
I called up De Vere to ask him what he meant by all of this. He said that, for reasons he couldn't explain, he no longer wanted the burden of being the Dragon Court Grand Master. He asked me to take it "just for symbolic purposes," and said that if I chose to do absolutely nothing with the Court, that would be fine. It would remain in an "occulted" position until we decided to resurrect it. I thought there was something fishy about this, like he was trying to make me the "HEAD" of the court, and since it supposedly required no sacrifice on my part, I agreed to take the title.
I felt the same way about the book. Again, was he setting me up to take the fall for something? But he said that his friend was editing it now (something that I had told him would need to be done before his crazy manuscript was ready for public consumption). So all I needed to do was find a publisher. Considering that my crushing financial problems were supposedly caused by a curse from Baphomet, all because I had so far failed to do this one thing, how could I possibly refuse?
So I'm there.. what's this about a pentagram at hilltop locations. Looked up the points. You do have this triangle formation though, which would be like how a triangle shape would be in a pentagram. So I guess that's how this guy got the other couple points. But there's nothing going on with the right arm and left leg points. No ruins nothing. But you do have the head and right leg points with google earth "castle" ruins in the places.
Crazy stuff.
Was up to this point in the Clock shavings, book.. just before chapter 8, page 97 it starts.
Henry Lincoln was one of the original Holy Blood, Holy Grail authors who helped bring the mystery of Rennes-le-Château to the attention of the English- speaking world in the late 1970s. He wrote two books on his own about what he claims is a perfectly mathematically symmetrical pentagram that can be found by connecting the tops of the five mountains which surround the village on a topographical map. I had recently interviewed Mr. Lincoln for the magazine, and he had reiterated his theory that this was both 1) a highly unlikely occurrence, and 2) completely natural. He believed that, because this area was the location of a very rare, spontaneous manifestation of an ancient sacred symbol, Rennes-le-Château had become a place of reverence to members of secret societies who were aware of the formation's existence. In his mind, the pentacle of mountains constituted a "natural temple" to the divine, visible to those with eyes to see. However, because for years I had been writing about the subject of giant super-human antediluvian god-kings in connection to Rennes-le-Château, and because those entities were rumored to exist now in an underground realm, I was considering a different possibility. Throughout the annals of archeology, there are stories of ancient temples and even entire cities being unearthed from places where the only indication of something underground (often beneath layers of dirt, rock and overgrowth formed over thousands of years) is the presence of something that appears artificially symmetrical. I had just recently heard of someone in Bosnia discovering ancient pyramids within some of the mountains there. Therefore I wondered: Is it possible that the mountains are really the mark of something artificially made? Could it be that someday, somebody will find underneath them a vast pentagonal temple complex made by giants to venerate some ancient god-king or queen? Is it possible that initiates in the Priory of Sion have known all along that the temple was there? Might there even be hidden tunnels in Rennes-le-Château that allow access to the temple to this day? Could it be that the chosen few still perform ceremonies there? I had to know the answers, so I asked Baphomet. In response, he affirmed that it was there, and also indicated that it was the site of a very important tomb from prediluvian times. When we asked who built the complex, he answered: "DAGON." This was the name of a Philistine god always depicted as half-humanoid from the waist up, with a fish tail from the waist down. Dagon was adored by many ancient societies, as, according to legend, he had come from the sea to teach mankind the most important arts of civilization, just like the Anunnaki fish-gods of the Sumerians. I had written articles speculating that he was one of the god-kings related to Cain, connecting him with the Watchers and the Nephilim. I had also speculated that the name "Dagobert," used by several of the Merovingian kings, might hearken back to Dagon. Indeed, the
legend of the Merovingians said that they were descended from a union between a princess and a sea creature, which could have been an echo of a memory of Dagon as their literal ancestor. Excited about the idea of an ancient underground temple being buried beneath Rennes-le- Château, we got out one of the maps of the area that I had purchased when I visited the village for the Fox TV interview. We took the glass door off of the entertainment center there in the living room, placed the map on the card table that we were using for the Ouija board, and covered it with the glass door to give the map a smooth surface. We then put the planchette on top of the glass and the map. I asked Baphomet to show us where the temple was. What followed was a good 90-minute segment in which the spirit made the same spiral shape over and over again, always focusing it on the same spot right there at the altar of the church. He would start the spiral from the outside, work his way in, and then methodically spiral out again. He also used the planchette to mark out several important spots on the map, to which he assigned numbers. We had to move the planchette back and forth between the map and the Ouija board constantly so that he could number the locations. He instructed us to write it all down in a list. At the end of this session, we were utterly exhausted. Our arms ached so much! We didn't analyze it until the next day, when Brian got out a protractor and a ruler. He measured the distance and the angles between the points, then plotted them on a graph. At first it seemed meaningless. Then I realized that it matched up with something I had seen before in a book about sacred geometry by Michael S. Schneider called The Beginner's Guide to Constructing the Universe. This book was about different geometrical patterns that can be found both in nature and in artificial works. In the chapter about the pentagram, Schneider demonstrated how, as the leaves of a plant grow along the stem, they always conform to the shape of a pentagonal Fibonacci spiral. By forming this pattern with certain points on the map, each corresponding to particular (mostly man-made) landmarks in the area, Baphomet seemed to be telling us that the locals there had commemorated this pattern with the locations in which they chose to place certain buildings. Or, perhaps they had been guided subconsciously by a higher intelligence. It was only a few weeks later that I discovered for the first time translations of the magazines C.I.R.C.U.I. T. and Vaincre, both published by Pierre Plantard of the Priory of Sion. Before this, I had only seen excerpts from these publications quoted in the books Holy Blood, Holy Grail and The Messianic Legacy by Baigent, et. al. In it, the authors wrote about an underground temple beneath Rennes-le-Château, accessible somehow via a tunnel near the Blanchefort tomb, which contains thirteen stone seats and a giant image of a sun. The spiral shape was not mentioned, but I wondered if that was the shape of the tunnels leading down to it, perhaps passing through all five mountains along the way. Maybe, I thought, there are even
chambers in these tunnels corresponding to the numbered spots marked by Baphomet on the map.
So I'm there.. what's this about a pentagram at hilltop locations. Looked up the points. You do have this triangle formation though, which would be like how a triangle shape would be in a pentagram. So I guess that's how this guy got the other couple points. But there's nothing going on with the right arm and left leg points. No ruins nothing. But you do have the head and right leg points with google earth "castle" ruins in the places.
https://imgur.com/a/there-is-no-pentagram-locations-rennes-le-chateau-only-triangle-couple-other-castles-NkUxOu3