I watched it. IMO, issues with its content are a bit exaggerated. I've seen old shock and exploitation films that were worse - but, were entertaining, or had a real message. Cuties, OTOH, was generally terrible, which leaves you remembering the shock aspects of it more than anything else.
It didn't use any good character archetypes, the characters and their motivations made no sense, the plot made little sense, and the MC making up with her mom at the end also made no fucking sense. I can understand a David Lynch movie better, after the first viewing. The movie was made of a bunch of woke checkboxes, and probably an excuse to let Hollywoodsexual cameramen get some youngin cameltoe shots, rather than a story.
FI, if she started making money, becoming an instathot, with the fame and money corrupting her and her parents along the way, you could have a compelling story for the current age. Contraversial content would make for good PR, and be justifiable. But, leave NPCs to try to make something that requires human understanding, and nuance, and you get...this.
I watched it. IMO, issues with its content are a bit exaggerated. I've seen old shock and exploitation films that were worse - but, were entertaining, or had a real message. Cuties, OTOH, was generally terrible, which leaves you remembering the shock aspects of it more than anything else.
It didn't use any good character archetypes, the characters and their motivations made no sense, the plot made little sense, and the MC making up with her mom at the end also made no fucking sense. I can understand a David Lynch movie better, after the first viewing. The movie was made of a bunch of woke checkboxes, and probably an excuse to let Hollywoodsexual cameramen get some youngin cameltoe shots, rather than a story.
FI, if she started making money, becoming an instathot, with the fame and money corrupting her and her parents along the way, you could have a compelling story for the current age. Contraversial content would make for good PR, and be justifiable. But, leave NPCs to try to make if, and you get...this.
I watched it. IMO, issues with its content are a bit exaggerated. I've seen old shock and exploitation films that were worse - but, were entertaining, or had a real message. Cuties, OTOH, was generally terrible, which leaves you remembering the shock aspects of it more than anything else.
It didn't use any good character archetypes, the characters and their motivations made no sense, the plot made little sense, and the MC making up with her mom at the end also made no fucking sense. I can understand a David Lynch movie better, after the first viewing. The movie was made of a bunch of woke checkboxes, and probably an excuse to let Hollywoodsexual cameramen get some youngin cameltoe shots, rather than a story.
FI, if she started making money, becoming an instathot, with the gfame and money corrupting her and her parents along the way, you could have a compelling story for the current age. The contraversial content would make for good PR, and be justifiable. But, leave NPCs to try to make if, and you get...this.
I watched it. IMO, issues with its content are a bit exaggerated. I've seen old shock and exploitation films that were worse - but, were entertaining, or had a real message. Cuties, OTOH, was generally terrible, which leaves you remembering the shock aspects of it more than anything else. It didn't use any good character archetypes, the characters and their motivations made no sense, the plot made little sense, and the MC making up with her mom at the end also made no fucking sense. I can understand a David Lynch movie better, after the first viewing. The movie was made of a bunch of woke checkboxes, and probably an excuse to let Hollywoodsexual cameramen get some youngin cameltoe shots, rather than a story.