Controlled opposition...both the foundation of words (sound) and the contract to exchange words (consent meets suggestion) are being distracted from by utilizing REVERB'ERATE, verb [Latin reverbero; re and verbero, to beat.] - "to return, as sound; to send back; to echo" aka echoing words among those suggesting them (representing dissonance), instead of resonating with perceivable origin (sound).
Sleight of hand:
- "Don't bother to resist, or I'll beat you" (reverberation over adaptation)
- "The beautiful people, the beautiful people" (Aubrey Marcus)
- "It's all relative to the size of your steeple" (500k subscribers)"
a) notice the suggested name "Laurel" aka laureate (King's officer for poetry) aka a smooth talker; a composer of imaginative invention aka artificial (suggested words) over natural (perceivable sound).
b) notice the artificial decor suggested as ornamentation for the viewers consent in his studio..both artificial nature (flower ring) and of course masonry (brick wall). Notice the narrowness of his eyes; the goblin ears; the bulbous nose and the name AUBREY (French Auberi; Alberich) - "ruler of elves". How to distract one who exists "INIT" (within it)? By suggesting one to consent to be "ONNIT"... https://img.gvid.tv/i/Ngpk6RV9.png
c) notice her describing the instrument of language as the leading software...yet; instruments follow the lead of sound, hence trying to hit the right notes; to grow within octave; to resonate with origin. Furthermore; ones formed (instruere) mind (ment) represents hardware (life) within software (inception towards death); hence temporary form (growth) within ongoing flow (loss).
d) when she suggests to "upgrade" she tempts others to measure (grade) each other for growth (up), which tempts ONE to ignore self for counting other ONEs, and then trying to measure up to suggested numbers instead of being an expressing unit (partial growth within whole loss).
e) to command spelling aka COMMAND, verb - "to bid; to order; to direct; to charge; implying authority, and power to control, and to require obedience" aims at controlling others with suggested spells, while tempting them to ignore being directed within the natural order of perceivable sound. An instrument (living) within sound (process of dying) cannot command origin; only express oneself until running out of breath, while resisting the impressing.
Tuning an instrument implies adapting as the temporary growth to the ongoing loss of sound...try viewing a string-instrument as ones lineage. What are the implications of oneself keep pulling such a string?
Controlled opposition...both the foundation of words (sound) and the contract to exchange words (consent meets suggestion) are being distracted from by utilizing REVERB'ERATE, verb [Latin reverbero; re and verbero, to beat.] - "to return, as sound; to send back; to echo" aka echoing words among those suggesting them (representing dissonance), instead of resonating with perceivable origin (sound).
Sleight of hand:
- "Don't bother to resist, or I'll beat you" (reverberation over adaptation)
- "The beautiful people, the beautiful people" (Aubrey Marcus)
- "It's all relative to the size of your steeple" (500k subscribers)"
a) notice the suggested name "Laurel" aka laureate (King's officer for poetry) aka a smooth talker; a composer of imaginative invention aka artificial (suggested words) over natural (perceivable sound).
b) notice the artificial decor suggested as ornamentation for the viewers consent in his studio..both artificial nature (flower ring) and of course masonry (brick wall). Notice the narrowness of his eyes; the goblin ears; the bulbous nose and the name AUBREY (French Auberi; Alberich) - "ruler of elves". How to distract one who exists "INIT" (within it)? By suggesting one to consent to be "ONNIT"... https://img.gvid.tv/i/Ngpk6RV9.png
c) notice her describing the instrument of language as the leading software...yet; instruments follow the lead of sound, hence trying to hit the right notes; to grow within octave; to resonate with origin. Furthermore; ones formed (instruere) mind (ment) represents hardware (life) within software (inception towards death); hence temporary form (growth) within ongoing flow (loss).
d) when she suggests to "upgrade" she tempts others to measure (grade) each other for growth (up), which tempts ONE to ignore self for counting other ONEs, and then trying to measure up to suggested numbers instead of being an expressing unit (partial growth within whole loss).
e) to command spelling aka COMMAND, verb - "to bid; to order; to direct; to charge; implying authority, and power to control, and to require obedience" aims at controlling others with suggested spells, while tempting them to ignore being directed within the natural order of perceivable sound. An instrument (living) within sound (process of dying) cannot command origin; only express oneself until running out of breath, while resisting the impressing.
Tuning an instrument implies adapting as the temporary growth to the ongoing loss of sound...try viewing a string-instrument as ones lineage. What are the implications of oneself keep pulling that string?