a) Brad Pitt in Seven opening the box or John Travolta in Pulp Fiction opening the briefcase...those represent secret rooms. Both actors are doing sells-pitches to tempt viewers to consent to the suggested boxes. There's nothing in the box for the viewer, yet consent of the viewers puts not only everything imaginable into it, but also boxes in the viewers mind/memory, while permitting others to define; redefine and contradict the suggested imagination.
Decades later and viewers are still reasoning against one another what secrets were within those boxes.
b) A layer of perspective underneath this...Pitt and Travolta aren't actors; but play-acting, while reacting to directions. It's on the director to steer how the "actor" reacts to suggested directions...all to distract viewers from reacting (life) to direction (inception towards death); which they do by "mirroring" actors. (Look at DeNiro's "are you talking to me" scene).
c) Now for the foundation of "secret room"...motion to momentum to matter implies motion dividing (Latin seco) through momentum into matter, and for matter to exist within the extension (room) of momentum.
Modern sleight of hand through One Piece: ROOM (inception towards death) SHAMBLES (life). When the character casts room "death" is readable on his hand; yet when he casts shambles he flips the hand upside down, hence life not being able to perceive its inception or death while living.
If you want to open another rabbit-hole...the guy casting room/shambles is called Trafalgar Law aka taraf-al-garb (end of the west) L(and) A(ir) W(ater)...
copying all traffic
TRAF'FICK, noun - "trade; commerce, either by barter or by buying and selling"...suggested information represents the trafficking within all perceivable inspiration aka a carbon copy aka buying (consent) and selling (suggested) instead of bartering as perception (choice) within perceivable (balance).
a) Brad Pitt in Seven opening the box or John Travolta in Pulp Fiction opening the briefcase...those represent secret rooms. Both actors are doing sells-pitches to tempt viewers to consent to the suggested boxes. There's nothing in the box for the viewer, yet consent of the viewers puts not only everything imaginable into it, but also boxes in the viewers mind/memory, while permitting others to define; redefine and contradict the suggested imagination.
Decades later and viewers are still reasoning against one another what secrets were within those boxes.
b) A layer of perspective underneath this...Pitt and Travolta aren't actors; but play-acting, while reacting to directions. It's on the director to steer how the "actor" reacts to suggested directions...all to distract viewers from reacting (life) to direction (inception towards death); which they do by "mirroring" actors. (Look at DeNiro's "are you talking to me" scene).
c) Now for the foundation of "secret room"...motion to momentum to matter implies motion dividing (Latin seco) through momentum into matter, and for matter to exist within the extension (room) of momentum.
Modern sleight of hand through One Piece: ROOM (inception towards death) SHAMBLES (life). When the character casts room "death" is readable on his hand; yet when he casts shambles he flips the hand upside down, hence life not being able to perceive its inception or death while living.
If you want to open another rabbit-hole...the guy casting room/shambles is called Trafalgar Law aka taraf-al-garb (end of the west) L(and) A(ir) W(ater)...
TRAF'FICK, noun - "trade; commerce, either by barter or by buying and selling"...suggested information represents the trafficking within all perceivable inspiration aka a carbon copy aka buying (consent) and selling (suggested) instead of bartering as perception (choice) within perceivable (balance).
You can take what's in the box..............or you can choose what's behind Door Number Two.